| SOL Post 34 | 05/15/99 |
| SOL Post 33 | 04/15/99 |
| SOL Post 32 | 03/15/99 |
S.O.L. POST
==========================================================================
Volume 33 - http://www.mindspring.com/~mstanon/ - April 1999
Formerly The MSTies Anonymous Newsletter: News for the Obscure Convergence
==========================================================================
NEW PETITIONS AGAINST TAX!
In This Issue
From the Poobah
"The Poison Pen" by gherity@tcfreenet.org
"MSTable Movies" by RMichel424@aol.com
"Jenny For Your Thoughts" by S364128@urgrgcc.edu
"Better 'Bots and Satellites" by bgibron@yahoo.com
"Call Me Ishmael" by bobishmael@sciti.com
April MSTie of the Month: hquiej@netwood.net
May MST3K Schedule on SFC
Classifieds 3000
Disclaimers

From the Poobah
After last month's lengthy rant, I'll keep this month's entry short. As we
all saw 1001 Soultaker last Sunday (or will catch the rerun), we can trust
that the Brains did a good job with Season 10 if it's any indication.
Production has wrapped at BBI and all that's left to do for MST3K there is
post-production and Info Club management. Hopefully, the Brains are beginning
the creative process anew.
And just as the Brains make a large transition to who-knows-what, I'll soon
be graduating from high school and will most likely be moving the site to
either the college server or to our own domain name. Which would you guys
prefer? Also, what would you like to see on the new version of the site after
the move? It's time to start thinking about a new site layout, though it will
most likely be rather similar to the current one. So, get your ideas in.
On that note, one of the oldest things on the site right now is... the
logo. After over two years, it's time for a new one. Just like last time, all
graphic artists are welcome to submit their prospective MSTies Anonymous logo
to be voted upon by the members. Just a few requirements: it must include the
phrases "MSTies Anonymous" with subtitle "The Obscure Convergence", include
the MST3K planet logo somewhere, and be opaque with a transparent background.
So get going! Entries are due on Friday, May 14th, 1999.
Hmm, what else... Oh, right. Keep on playing Jeopardy!-esque MST3K Trivia
for your chance to win the MST Rhino tape of your choice. Round 2 starts on
May 1st. Ask some more questions of the staff to be answered here! Write some
stuff for this newsletter; don't be shy. Keep watching MST3K and uh, keep the
faith. Or something like that. Well, I said I'd keep it short. I was wrong. On
to your questions...
jazz@blatt.org asks: "I wasn't sure whom else to ask. I am curious as to what
episode of Mystery Science Theater 3000 it was I was watching that they had
the line 'girl = dumb.' I laughed so hard. I am just dying to find the episode
again, or at least the sound byte for it."
booboo@davesworld.net says: "The answer to the question that jazz@blatt.org
posed about the 'girl = dumb' statement, is the following. 'Woman equals
dumb' was said by Mike in 807 Terror From the Year 5000."
gherity@tcfreenet.org asks: "What MST3K episode did the phrase 'that was
disturbing' which is in your signature come from? Just curious... ^_^ "
MSTAnon says: "Like the quote from Brak of Cartoon Planet fame, my third quote
is not from MST3K at all. In fact, it comes from the anime cartoon series
Pokémon (see last month's 'MSTable Movies'). When Team Rocket puts on a
horrific display acting as Pikachu's cheerleaders, Brock responds with that
line. It's the funniest and most demented moment in the series, IMHO. Of
course, any astute signature reader will notice something about my selection
of quotes... They're from Brak, Brack, and Brock. Any similarity with persons
living or dead is entirely coincidental."

"The Poison Pen" by gherity@tcfreenet.org
Yes, it's me, the returning thorn in the side of monotony. I've been here
since XBAND (Rest in pieces! Hahaha!), been a fan since KTMA, and I'm here to
stay as long as MSTAnon exists! Muhahahahaaa!
Ahem, on our subject, even though I'm dreading writing this, I'm looking
forward to the end game season of MST3K, which has seen quite a run on our
televisions, and in our hearts. I've been here since I was 12 (yes, 12!) and
I've laughed all the way to this decision point: should I join the fight to
keep MST3K going, which is a futile effort? (Like trying to bring back Star
Trek: The Next Generation.) Or await the next new Best Brains production? I
will do the wait and see thing. I'll cry on the last episode, just as I did on
B5's end, and look forward to the future. I'm proud that a Minneapolis-
produced series has gone this far, and I place it up there with Red Dwarf in
my own humble opinion. It's been great. ^_^ Hi-Keeba!
To all the fans out there: Keep the lights on; the 'Bots are comin' home!

"MSTable Movies" by RMichel424@aol.com
Kids of the Round Table (1995)
This movie comes to us from those people at Disney. I caught most of it,
but not all. I did manage to get the gist of it. A young boy by the name of
Alex, who I would guess is around ten to eleven years old, is the main
character of this story. Alex and his friends have a club where they act like
Knights of the Round Table. They wear football pads converted to look like
suits of armor with the aid of tin foil and cardboard. A bully comes and
scares the rest of the kids off. Alex retaliates by throwing a water balloon
at the bully. The bully chases after Alex through the woods. Alex trips and
falls down a hill and discovers Excaliber, Arthur's legendary sword. He
manages to pull it out of the stone. Suddenly, Merlin, played by Malcolm
McDowell, arrives and tells him that he must learn to be just and kind to hold
on to the sword. The boy tries to do good and goes to the forest to learn from
Merlin. Soon a new boy named Luke move into town. Alex and Luke become
friends. Alex finds out that the girl, Jenny, who he has a crush on, really
has a crush on Luke. Alex loses his temper and in a jealous rage punches Luke.
Jenny tells Alex she hates him now. Alex loses Excaliber because of his
jealousy. Meanwhile in plot B, the bully's father, Butch Scarsdale, played by
Michael Ironsides, and two of his friends plan to rob the bank. A few days
later, the guys rob the bank, and head to the sheriff's house to hold his
family hostage and wait for him to return home so they can use him to get
through all the roadblocks. Little do they know that his daughter, Alex's
dream girl, is having a birthday party. The crooks are surprised to see that
the house is full of kids and hold the entire party hostage. Alex decides to
go and apologize to Luke and Jenny. He finds the crooks holding everyone
hostage so he decides to do what he can to help take care of the bad guys.
First, he lets all the air out of the tires to the crooks' car with his knife.
I was thinking, why not use the blade and just slash them. Later he gets one
of them to investigate him hiding out in the barn. He uses a snare to capture
the bad guy before he knocks him out with a shovel. The next guy is lured over
to the boy and falls into a lower level room that is locked. The boy makes it
into the house and calls the police. He gets caught and is taken hostage as
Butch tries to escape. The cops show up after the leader crashes and the kids
pelt him with apples. Alex throws one that hits Butch in the groin. Merlin
later tells Alex that he doesn't need the sword, because the true power is in
one's heart. It ends with another kid pulling out the sword. PA-THET-IC.
Wing Commander (1999)
A lame movie based on the hit computer game.
Doug's First Movie (1999), Rugrats (1998)
I cannot stand any of the cartoons from Nickelodeon. I feel that cartoons
this crappy deserve the old MST treatment.
PS: Catdog is a rip off of a MST invention. It is the opposite of Dr. F's
Double Butt Graft. For his project at Evil Oaks he grafted the butt of a cat
to the butt of a dog. Catdog is the front halves of a cat and a dog grafted
together in the middle. Now that seems a little too much like the double butt
graft. One question, how the heck does it go to the bathroom?
Baby Geniuses (1999)
A Look Who's Talking clone about little babies and their secret language.
Ick.

"Jenny For Your Thoughts" by S364128@urgrgcc.edu
Okay, episode 1001 was great. It was beyond great. By judging from the
first episode, this season of MST3K is off to a good start. Before I start
telling about my impressions of new episode let me give you an idea of where I
was when I watched it. I was sitting in my dorm room in my PJ on my bed.
Anticipating the new show, I clutched my remote in one hand. On edge of my
seat waiting for the stupid Sci-Fi 2.0 commercial to be over with, it finally
came on. I was drooling when saw new theme song and after the first host
segment was on floor in fascination. As commercials came I softly muttered the
words, "Beautiful, so beautiful," and knew that my long wait was worth it.
Now about the show. First the movie was bad and I really do think that Joe
Estevez and the Estevez clan have made more bad movies than John Agar and
Roger Corman. It was great see Joel again and he does look good in a goatee. I
just want know why he didn't come aboard the SOL in first host segment or in
the theater. I was a little disappointed that Joel didn't come aboard until
the fourth host segment and wouldn't allow Mike and 'Bots to come with him.
Come on, they could have come up with a better excuse than, "It will make man
out you." They could have added that there was only room for one person on
Joel's ship. But other than that I was pleased with Joel's performance.
I hope Joel did fix Gypsy. I didn't like her mean, crabby and a potty
mouth. I mean we already have one crabby woman one the show, Pearl. We don't
need two. Gypsy did come up with some funny lines while she was mean. My
favorite was, "Jump up my tube, white boy." Me, I like Gypsy nice and sweet. I
did like the scene in the theater when Crow had to wash out his eyes and miss
the slow undressing scene. Man, could that have gone any slower? And what
gives with Mom peeping? I having seen a mother bathroom scene more disturbing
since the movie "Psycho."
And of course the best for last, the performance by TV's Frank was
flawless. It made me miss that guy. Let me tell you I would rather get my
soul stolen by Frank than Joe Estevez any old day. I was laughing my butt off
when they played ring toss with Bobo's soul. I only wish Frank would come back
in the next episode and stay in Castle Forrester. But maybe a little of
something is better than a lot of something. It's just that I miss Frank.
Anyway, that is my review of episode 1001. If you did anything special for the
premiere episode or want make comments of your own, write me at
S36418@urgrgcc.edu and I'll put them in my next column. Or as always, no one
will respond and I will write about whatever the heck I want. Until then, keep
on trying to save MST!

"Better 'Bots and Satellites" by bgibron@yahoo.com
Vol. 1 Issue 9
Meet the SOLeatles: It’s Only a Northern Minnesota Song.
A great debate rages on, one that seems to infect the feeble brains of the
wounded populace like a rash and grows more painful and scaly as each year
trundles by. Since that fateful day in 1970, when four tired and disgruntled
English chaps called it quits and de-evolved into the timeline laps of those
legendary weird pop culture sisters, Woulda, Coulda and Shoulda, an empty and
aching globe has sought long and hard to locate that elusive panacea, that
sacred heart of rock and roll, that 'next big thing'. Time itself seems to
stop whenever someone announces that the latest incarnation of the Liverpool
Lads has been discovered, even if all they truly turn out to be are talentless
lip synchers, or retro-plagiarists who rob meter to pay the pallbearer. Anyone
remember Klaatu? (Not of 'Baratta Niktoo' fame) Of course not. Aside from one
minor pop hit, "Sub Rosa Subway", (an ode to a vacuum tube underground railway
system) and allowing the ever thinning Karen Carpenter to cover their "Calling
Occupants" (of interplanetary crap!) they are merely a swampfoot note in the
history of misdirected attempts at re-inventing the unre-inventable. After
all, any band with a song called "Anus from Uranus" has a vague understanding
of their place in the lexicon of euphony lore (Right down below Disco Tex and
the Sexolettes).
The list of pretenders to the throne is as painful and cracked as the
furrows in Keith Richard's leathery brow. The Knack belted out "My Sharona"
and people thought it was 1963 all over again. They could hear a monotone and
joyless Ed Sullivan proclaim the official end of rock and roll's infancy as a
stark stage was illuminated with genius. Unfortunately, the only genius in
Doug Felder's brain was the ability to turn a two-chord dirge into a multi-
platinum pop smash. Duran Duran came across as fey hairdressers on fire, and
purred through such closeted classics as "The Union of the Snake" and "The
Reflex" and walls were decorated in Norwegian wood all over again. The mind
recalled innocent experimentation with 'herbal remedies' and the first time a
guitar emulated backwards through your Close-and-Play. Unfortunately, the only
thing backwards about Duran Duran (aside from their views on heterosexuality)
was the belief that they were more than a Mother's Day makeover at the
Clinique counter for Aunt Helga.
As the end of the century limps to a disgruntled close, we have thrust the
'moptop' moniker on all types of musical abominations. Three young men/girls
bleat out some nonsensical syllables in a pre-pubescent squelch that sounds
like a sick underdeveloped goat with adenoids and we proclaim Hanson pure pop
for now people. More like pure poop. Five curious male impersonators drive
homely girls from the wrong side of the cliques onto the road to sexual
nowhere with their scum hither looks and total body shaving and we hail these
Backstreet Boys as a Fab Four for the millennium. More like the scab four. And
there are five of them. Learn to count! Oasis? Yeah, I've been to the Oasis.
Twice. To get rid of four kinks in my back! N'Sync? N'STINK!
Let Better 'Bots and Satellites show you the way (and let's leave Peter
Frampton out of this all together. About the only thing to 'come alive' in his
incredibly shrinking career is the shame induced by VH-1 replays of his
painful starring role in 1978's 'Sgt. Pepper's Lonely Hearts Club Band'. With
the Bee Gees...ARRGGHH!!!). Every MSTie knows that its wasn't 1975, or 1982,
but 1988 when history repeated itself. Launched on American (or better yet,
Minnesota television) for a grateful 50 mile radius to witness, a new mania
was born. No, it was not Beatle-mania, (the phenomenon, not the atrocious
stage 'recreation' musical), Weeble-mania (they passed as the whole Fisher
Price learning toy era mutated into the emerging homo-erotic action figure
genre) or Webloes-mania (don't EVEN get me started on this). It was not phony,
as a certain J. Strummer from the Clash would have us believe, nor was it
merely a harmonious hack job, like, say Julian Lennon. As the screen faded and
the white letters scrolled across a black background, the chords and voice for
a new generation, and for generations to come, proclaimed the good news. KTMA
acted as midwife as Mystery Science Theater 3000 was born, and a truly gifted
Gab Four were introduced to the world. We bore witness to the Birth of the
SOLeatles. John, Paul, George and Ringo, meet Crow, Joel, Gypsy, and Servo.
Let's get to know them:
Crow (Ono Lennon Winston) T. Robot - if ever there was an ersatz leader of
this motley gang of four it would have to be the one, the only, the true Mr.
T. With his wise-ass cracking and his command of the verbal lexicon, this is
one cybernetic life-force with a hard drive of his own. Like his Liverpuddlian
soul mate, the Crowster is not limited to the professional skills of his known
trade. Like the genius Lennon before him, he foraged into writing, creating
his own 'Spaniard in the Works' called 'Earth vs. Soup'. Or who will ever
forget the 'In His Own Write' of 'Peter Graves at the University of
Minnesota'. Crow, like the granny glassed one, also branched out into film,
making startling appearances in the documentary 'What About Women?' and
weaving his thespian spell in his most demanding role as hyperactive burn
victim in an America's Goofiest Home Video segment.
Joel (Mc) Hodgson; also known as the cute one, the sentimental one, and the
one with the dead talentless wife (I think...). As alabaster to Crow's onyx,
as Jeff to his Mutt, Frick to his Frack (or maybe its the other way around),
Joel is the spiritual strength and light of the SOLeatles. Like Sir Duke
Honorable Paul McCartney Esquire Ishkabibble, Joel is seen as the one who took
the SOLeatles from their humble Cavern-like puppet show roots and thrusting
them into the massive media spotlight of basic cable. Joel, like Paul, was
also the first to leave his group, or actually, have his leaving thrust upon
him. Joel attempted several solo projects, like 'TV Wheel' and 'Statical
Planets', but like his well-worn Winged counterpart, he never achieved the
success he found as a member of the legendary super-group. Still, when one
hears the peppy tones of the theme song, or recalls the sleepy, whimsical
quips pouring from his lips, one truly knows what it sounds like when beloveds
crack wry.
Gypsy (The Quiet One): George Harrison played guitar and wrote a few songs.
Gypsy runs the ship and occasionally joins in the lampoonery. Without
Harrison, the Beatles would have been less professional, less adventurous and
less ethereal. Without Gypsy, the SOLeatles would have less life support
systems, less on board computing power and fuller load pans. Mr. George
brought a Zen-like evenness to the occasionally tumultuous relationship
between Lennon and McCartney. Gypsy brings a hen-like mothering to all the
occupants of the ship. Harrison had one bright shiny musical moment (you
choice here). Gypsy has one too, in the form of "Gypsy Rose, Me!" her one
woman/robot show.
Tom (Starkey) Servo: Oddly enough, there are 2 Tom Servo's just as there
are 2 drummers in the history of the Fab Four. Pete Best began as the rock
steady skin skimmer for the Beatles and was sacked (and financially destined
to the dole) as the group broke big. The older, wiser (if slightly goofier)
Ringo replaced him. Tom began life as a high-pitched, mango juice loving babe
magnet. Then without warning (or with the application of screwdriver to voice
controller by Joel) he became the deeper, bolder (if slightly goofier) Servo.
Like Ringo, Tom has always been picked out as the good-natured, life loving,
joyful member of the SOLeatles. Voice full of tenor character and baritone
buffoonery, he is both trendsetter and poseur, fashion maven and demon,
gumball machine and fully articulated robot (if you don't count his non-
functional arms and limited Hoverskirt abilities). While the other members of
the SOLeatles seemed to lose, or even divested themselves of their familiar
trappings, TS seems consistently wrapped in them, ready to throw himself
heartily into any fracas and, hopefully, coming out the fave rave.
Like their English counterparts, it is the music that matter when thoughts
of the SOLeatles come to mind. Music and mayhem, that controlled ability to
create melodic harmony out of discordant chaos. No genre was too obscure for
the Gizmonics Gang. Country and/or western? You betcha. The Lowland Shim?
Absolutely. No Wave and Blank Generation rants against society and all that it
stands for? Well, let's not get carried away now. Still, one knows exactly
where one was, when they turned on the television and saw and heard the
carrion call to a new power generation. As synsonic drums belted out the Lord
have mercy beat, and guitars waxed and waned, the youth of a nation were
called to serve in the Farce Army as the quick tempo blasts of "Sidehackin'"
molded an entire era. Everywhere, teens threw off the shackles of Ant Music,
the cackles of Cindy Lauper and the shingles of Madonna, and prayed for the
time when they could attach a 'side' to their 'hack' and live the life they
love, with a little luck.
Or what about the trend setting and levy breaking fashion misstatement that
was "The Pants-Up Song"? Less a call to arms than an excuse to go high water,
"Pants Up" created a global phenomenon. Adolescents everywhere wore their
pants lofty and tight, becoming hipsters, literally and figuratively. No
longer the realm of the Jerry Lewii and the Steve Urkels, the exposure of ones
ankles to the sun was seen as a proclamation as rebellious and loud as the
Tibetan Monk who doused himself with gasoline and immolated himself to stop
the war in Vietnam. It's all about pleats, you see. Pleats and love. All we
were saying was give pleats a chance! Still, not every song the SOLeatles
created was so strident in its political stance or brazen in its counter
cultural motives. In the tender tunes, the love ballads like "Creepy Girl" and
"Tibby, My Tibby", the group showed it could, and often would, get in touch
with its ultra-femmy side. Love may have 'padded' the film, but it also
radiated out like Oxy-10 at a Marilyn Manson concert. Buried deep within each
pantheon to "Estelle", or lyrical ode to "Kim Cattrall", the message is as
clear as cranberry sauce; all you need is like.
Toward the end, the SOLeatles really hit their symphonic stride. Moving
away from the simple 3-minute pop ditty and into a more introspective and
interpersonal song style, the legendary foursome began experimenting with odd
time signatures and obtuse instrumentation, along with the odd Hamdinger and
all night root beer jags. Before long, they found themselves working in a
longer, more varied format. It was during this feverish and throbbing time
that they created what most consider to be their magnum opus. Taking a cue
from side 2 (or CD tracks 9 - 16 for those of you born post-analog) of the
Beatles swan song, 'Abbey Road', the SOLeatles wove several songs together to
form a cohesive whole. Just like the hair on William Shatner's head. The
result of this happy misadventure was the "Hired Song Cycle". Beginning with
"I'm Hired", and moving through "No!" and "Zeroes" the competitiveness and
failure of door-to-door selling is dramatized with bathos humor and pathos
harmony. Call it Mirth of a Salesman. As the crescendo builds and the images
become more vivid, the duet "I Suck at My Job" brings us to the brink of
musical ecstasy. And as with the last full LP by the Beatles, the MST version
of "The End", otherwise known as Commercial Sign, brings the whole matter to a
stark, yet semi-romantic conclusion. Call it the last great concept host
segment.
Unfortunately, after that, the SOLeatles found themselves on different
plains of existence. Joel took off for the tranquillity and wallabies of the
Australian outback, and it wasn't long before Crow, ALA David "I used to be
cool but now I am crud" Byrne, was trying out a new voice that had many
confused, and still others pining for the Robot of jesterday. It seems hard
now to comprehend just what kind of impact the SOLeatles had on the culture.
During their heyday, you could not enter a movie theater without hearing the
ranting of patrons, all taking back to the screen in an attempt to ape their
heroes. Cornjob and Dickweed were the catchphrases du jour, and Hi-Keeba! and
Huzzah! the exclamations of insubordination. As with most things, even the
SOLeatles were sullied by the obsessions of those with too much time and too
little parental guidance. Like Cousin Dell in 'Wild at Heart', the mentally
unhinged found hidden messages and evil directives in the most plaintive and
derivative SOLeatle lyric. A postal clerk in Jamestown, Pennsylvania heard the
lamentations of Crow and Tom in the randy "Gypsy Moons" and took it as a
signal to blow up a bridge. A pale, bloated young deviant in Charleston, South
Carolina heard the gentle lilting of the "Godzilla Genealogy Bop" and took it
as a directive to stalk Esther Rolle. And lets not talk about the cult in
Southern California who took the various parts of the "Fugitive Alien Medley"
and created from them a quasi-religion/feed store, based on the ascension of
the Starwolf and the second coming of Captain Joe.
Still, the legend will live on. Aging women with more miles on them than a
VW van will still argue who was the cutest SOLeatle (and Joel will still win).
Critics and scholars will still argue about the intricacy of Crow's guitar
fingering, Servo's accented drum triplets on the right tom-tom and Joel's
mastery of the porkorina. Ice will still be broken with such lines as "where
were you when you first heard "Gamera"?" or "Remember when we necked to the
"Sandy Frank Song"?" The passage of time will do nothing to dampen the ardor
of the die hard fan, and every day, a new generation of admirer is hooked,
hearing "A Clown in the Sky" for the first time and having that missing
segment of their personality puzzle finally discovered. And as usual, it will
turn out to be some weird, multifaceted piece with too much flesh and not
enough trees that you picked up 6 other times but were convinced would not fit
in the slot. Oh well.
As long as we have memories, the SOLeatles are alive and well. Its almost
like they never left. Its like they are still around. Like they are still a
part of each and every one of us. Its almost like a new version of the classic
formula appears twice a week on a science fiction oriented basic cable
channel. Maybe, one day, no one will remember the SOLeatles. When you mention
"We're a Danger To Ourselves and Others", the listener will get a queer look
on his face and say something like "speak for yourself, you loony". Kenny and
Itchy and Trumpy will go the way of Manny, Moe and Jack, and only a precious
few will remember that, once, upon this planet, a truly great thing existed, a
thing that brought together people of all races, colors and preference in the
communal good of merriment. Someone said it best; "And in the end, the laugh
you make, is equal to the laugh you take." Rock is dead. Long live the
SOLeatles.

"Call Me Ishmael" by bobishmael@sciti.com
Play "So Happy Together/So Unhappy Together" MIDI (Frames only)
So Happy Together/So Unhappy Together
I think about it all day
I can't say
Why Bonnie cancelled our Puppet-Show
"It's Gotta Go!"
So unhappy together.
Ohmigawd, it's gone... What will I do
On Sunday
I could watch the wall
Or shine my shoes
On Sunday
If I should talk to Hammer
What would she say
She'd say, "That I have no taste."
But, I can't allay
Thoughts of a network graced
By MST3K
So unhappy together
Ohmigawd, it's gone... What will I do
On Sunday
I could watch the wall
Or shine my shoes
On Sunday
MST
And Sci-Fi
Two years they got along, but
One had to die
Turned out to be our Puppet-Show
It makes me sigh
So unhappy together

April MSTie of the Month: hquiej@netwood.net
Name: Guillermo Quiej (pronounced kee-egh)
Nicknames: Hquiej, MST Manos
Hometown: Los Angeles, California, U.S.A. (more specifically, in Cheviot
Hills)
Birthdate: September 22, 1984
First MST3K Exposure: Christmas of '94 (Unknown episode, since I only saw a
host segment)
First MST3K Episode: 106 Crawling Hand (Turkey Day '95)
First Full MST3K Episode: 512 Mitchell
Favorite Character: Crow
Other Favorite TV Shows: The Simpsons, That 70's Show, Dennis Miller Live,
Drew Carey Show, Whose Line Is It Anyway? (UK and US), and pro wrestling.
Usually I use the computer or just sleep with my spare time.
Favorite Movies: They've all gone sour nowadays.
Hobbies: Using the computer, watching TV, sleeping, buying stuff with
whatever money I may have, and going to school.
MST Posessions: The Amazing Colossal Episode Guide. That's about it. I really
need a job.
Info Club Member #66564
Enough info: Sure! There's nothing more I can tell you, anyway. :-)

May MST3K Schedule on SFC
North America
{All times are Eastern and tentative}
05/01/99 - 11:00 am - [1004] Future War
05/02/99 - 11:00 pm - [1005] Blood Waters of Dr. Z
05/08/99 - 11:00 pm - [1005] Blood Waters of Dr. Z
05/09/99 - 11:00 pm - [1006] Boggy Creek II
05/15/99 - 11:00 am - [1006] Boggy Creek II
05/16/99 - 11:00 pm - [0813] Jack Frost
05/22/99 - 11:00 am - [0820] Space Mutiny
05/23/99 - 11:00 pm - [0802] Leech Woman
05/29/99 - 11:00 am - [0821] Time Chasers
05/30/99 - 11:00 pm - [0801] Revenge of the Creature
Europe and Africa
{All times are Greenwich and very tentative}
01/05/99 - 24.00 - [813] Jack Frost
02/05/99 - 14.00 - [813] Jack Frost
08/05/99 - 24.00 - [815] Agent for H.A.R.M.
09/05/99 - 14.00 - [815] Agent for H.A.R.M.
15/05/99 - 24.00 - [816] Prince of Space
16/05/99 - 14.00 - [816] Prince of Space
22/05/99 - 24.00 - [817] Horror of Party Beach
23/05/99 - 14.00 - [817] Horror of Party Beach
29/05/99 - 24.00 - [818] Devil Doll
30/05/99 - 14.00 - [818] Devil Doll

Classifieds 3000
TServo9110@aol.com writes: "Looking for news, links, or addresses to save
MST3K? Loook no further! Head straight for 'The Rowsdower Deli,' the imfamous
site! Looking for people to put a link to your site on their page? I do that
too. http://www.geocities.com/SunsetStrip/Birdland/2988/mst.html"
hamdingr@theworks.com writes: "It's been a year and a half in working. I got
tired of waiting. Now it's finally here. THE AADGKA VILLAGE.
http://www.theworks.com/~hamdingr/mst3000links.html Okay, okay, so it's
sorta under construction. Sue me."

Disclaimers
All material written by club members in this publication does not necessarily
reflect the views or opinions of the staff of MSTies Anonymous. Endorsement of
above publicized activities not operated by MSTies Anonymous should not be
implied. Published material is subject to editing only for spelling, grammar,
clarity, and formatting; other changes are not made without express written
consent of the author.
Mystery Science Theater 3000, its characters and situations are copyright 1999
Best Brains, Inc. This publication is not meant to infringe on any copyrights
held by Best Brains, the Sci-Fi Channel, or their employees.
"Gizmonics" and all related elements are copyright and trademark Joel Hodgson.
This publication is not meant to infringe on any copyrights held by him, so
please do not sue us.
© MCMXCIX MSTies Anonymous
The Poobah mstanon@msties.com
Jet Jaguar kret0419@blue.UnivNorthCo.edu
Zen Psycho zenpsycho@yahoo.com
"Gypsy, you've gotta have eyewash. That big-ass eye of yours..."